It's a big jump up in price though compared to the $300 Tamron, so I want to make sure the optics are much better in the Nikon one. Thanks! Ratfink328's gear list: Nikon D90 Nikon D600 Nikon AF Nikkor 24mm f/2.8D Sigma 50mm F1.4 EX DG HSM Tamron SP AF 17-35mm F/2.8-4 Di LD Aspherical (IF) +1 more. Reply to thread Reply with quote Complain.

Japanese lens manufacturer Tamron has been in the photographic optics industry since 1950, making them one of the oldest Japanese third-party lens manufacturers. Back in 1992, they were the first to produce an ultra-wide range AF 28-200mm zoom lens, and also had a line of professional lenses, including the SP AF 300mm f/ available for Canon, Minolta and Nikon mounts. Tamron still makes unique lenses, including the 17-70mm Di III-A VC RXD now available for Fujifilm X Mount. This is the first mid-range zoom lens with a fast f/ constant aperture for the APS-C format. Fujifilm’s red label R WR only has a zoom range, while the 5x zoom range XF16-80mmF4 R OIS WR only has a maximum aperture of f/4. I had a chance to review the Tamron and compare it against Fujifilm’s own mid-range zoom lenses. Let’s start with the specifications. Tamron 17-70mm F/ Di III-A VC RXD equivalent range 16 elements in 12 groups, including 3 aspherical and 2 LD elements rounded nine-blade diaphragm f/ with no aperture ring on lens 525g with 67mm filter thread x mm ( mm with zoom extended) minimum focus distance of 19mm at 17mm, 39mm at 70mm RXD (Rapid eXtra-silent stepping Drive) = stepping motor autofocus VC (Vibration Compensation) image stabilization moisture-resistant construction along with a fluorine-coated front element to protect against fingerprints and smudging $799 USD list price For those who are not familiar with how Tamron names its lenses, let’s start with the acronyms and abbreviations. ‘Di’ is a ‘Digitally Integrated’ III lens designed specifically for compact mirrorless interchangeable-lens cameras. There is no explanation for the ‘A’ except it only appears on their latest APS-C lenses. ‘VC’ is ‘Vibration Compensation’ or Optical Image Stabilization, and ‘RXD’ is ‘Rapid eXtra-silent stepping Drive’ or their autofocus system. The build quality of the Tamron is somewhere in-between Fujifilm’s XC and XF lenses. It uses mostly plastic on the exterior of the lens (except for the mount), but it doesn’t feel overly light or cheap like the XC lenses. However, when compared against the XF16-80mmF4 R OIS WR, the Tamron feels cheaper. The metal focus and aperture ring on the Fujifilm make it feel more premium, as does the heft for its compact size in comparison to the Tamron. However, the lens hood, lens cap and rear cap are made of similar thickness and weight as Fujifilm’s. Continuing on with the build quality, the lens is considered moisture-resistant, but there’s no mention of extreme heat, cold, or dust resistance. There is a rubber seal along the edge of the metal lens mount, so I’m confident the lens can handle rain and humidity, but they are not willing to advertise the lens as weather-sealed. The front element has a fluorine coating, protecting it against fingerprints and smudging. The RXD autofocus system is as quiet and quick as Fujifilm’s stepping motor in the XF16-80mm lens, but the optical image stabilization isn’t as good. Although it’s not rated, my guess is Tamron’s VC stabilization is around 3-4 stops, versus 6 stops on Fujifilm’s XF16-80mm. The position of the zoom ring and focus ring on the Tamron is the opposite from Fujifilm, with the larger zoom ring at the very front of the lens and the narrower focus ring along the mid-back. I kept accidentally grabbing the focus ring instead of the zoom ring, although I’m sure it’s something you get used to. Finally, the missing aperture ring is probably the biggest con for most classic Fujifilm photographers. My shooting experience with the Tamron 17-70mm f/ was excellent. Although the “Beer Can” shape of the Tamron lens (reminds me of the new XF18-120mmF4 LM PZ WR) isn’t great as a compact street lens, it’s light enough to carry around all day without much discomfort. I do prefer the size and weight of the XF16-80mm, as it collapses to a compact size at 16mm, and is slightly shorter even at 80mm in comparison to the Tamron. However, in comparison to the the Tamron 17-70mm f/ is more manageable as an all-day carry lens. Because the lens sticks out even at 17mm, this was a difficult lens to use discretely for street photography. I think this lens is more suited for travel, event, and videography. Although I have yet to test this lens for video, having the constant f/ aperture, quick and quiet focus, quick access to the focus ring, and very little focus breathing, would be a great option for videographers. This lens is not a parfocal design, so beware of the speed of your zooming, as the autofocus can easily lose focus of your subject. The image quality on the 17-70mm is excellent from f/ to f/16. I did critical lens tests between the Tamron 17-70mm, R WR, and XF16-80mmF4 R OIS WR. Optically it is the most balanced in comparison with the other Fujifilm lenses. Edge-to-edge sharpness is consistent even at f/ with optimal sharpness at f/ The XF16-80mm is sharp in the middle starting at f/4, but is not sharp along the edges until f/8. The is consistently sharp at all focal lengths and all apertures, with the strongest performance at f/ In terms of distortion, the Tamron exhibited noticeable barrel distortion at 17mm and pin-cushioning at 70mm, while both Fujifilm lenses handled distortion very well. Both the Tamron 17-70mm and XF16-80mm at similar issues with chromatic aberration, but was minimal and only under harsh lighting situations. This can easily be corrected in post-processing. Finally, the Tamron has amazing starbursts when stopped down, starting at f/ The has decent starbursts as well, but not as clear as the Tamron. However, the handled internal flare much better than the Tamron. My guess is Fujifilm’s superior lens coatings. As mentioned earlier, Tamron’s RXD focus system was quiet and quick, on par with the XF16-80mm lens. The older design of the was slightly slower and noisier than the other two lenses. The 19cm minimum focus distance on the Tamron is insanely close, compared to the 30cm on the XF16-55mm and 35cm on the XF16-80mm. In addition, it’s 19cm to the mount, so the subject is actually a few centimetres from the front of the lens! If you need macro-style wide-angle pictures, the Tamron is a great lens. In fact, I would recommend the 17-70mm as a great studio lens as well. I have been using the XF16-80mm as my studio, product photography, and YouTube talking head and overhead lens for the past two years. The Tamron 17-70mm can easily replace the XF16-80mm for my current needs. Since the Tamron does not have an aperture ring, I had to re-configure both my X-T4 and X-Pro3 to use the front dial to control the aperture. By default, if you attach the Tamron to your Fujifilm body the camera automatically goes into Program mode. To force the camera into aperture priority mode with the front dial as the aperture control go to Set-Up Menu > button/Dial Setting > Aperture Setting > Manual. Another issue is the VC or OIS on the Tamron. Since there’s no switch on the lens to turn it on or off, it’s hard to tell what the camera is doing. In the X-T4, since it also has IBIS, there’s no way to activate just the OIS or just IBIS. The only way to test the OIS on the Tamron was to attach it to the X-Pro3 and turn on stabilization. As previously mentioned, the stabilization is decent for stills, around 3-4 stops, compared to 6 stops on the XF16-80mm. Finally, I wish the focus ring was reconfigurable as an aperture ring. The position of the focus ring is perfect for aperture control. X-T4 + Tamron 17-70mm f/ @ 17mm. 1/1900th sec f/ @ ISO 400 X-T4 + Tamron 17-70mm f/ @ 27mm. 1/1000th sec f/ @ ISO 160 X-T4 + Tamron 17-70mm f/ @ 34mm. 1/2500th sec f/4 @ ISO 400 X-T4 + Tamron 17-70mm f/ @ 42mm. 1/500th sec f/8 @ ISO 400. X-T4 + Tamron 17-70mm f/ @ 70mm. 1/60th sec f/8 @ ISO 400 My final thoughts on the Tamron 17-70mm f/ lens is that it’s a great bargain for Fujifilm X Mount shooters. At $799 USD, it’s the same price as the XF16-80mmF4. You get very similar autofocus performance, has much closer minimum focus, and is one stop brighter and sharper across the field with the Tamron. However, build quality on the Fujifilm is higher, has a metal focus and aperture ring, more compact design, true weather-sealing, less optical distortion, and the confidence of knowing the lens will always be compatible with all previous and future bodies and firmware updates. It’s hard to compare the Tamron to the R WR lens. For professional use, I would still recommend the R WR lens for its rugged build quality and WR design. Optically the is better than the Tamron but not by much. As for the 17-70mm f/ you get more range, OIS, and closer minimum focus distance. Moreover, for professionals, reliability and build quality should be a priority over specs or features. X-T4 + Tamron 17-70mm f/ @ 32mm. sec f/16 @ ISO 800 on a tripod In conclusion, who is this lens for? If you really need the f/ constant aperture and built-in image stabilization, there is no other option within Fujifilm’s ecosystem. This lens would be ideal as a one-lens-kit for travel, event or hybrid video-stills work. For myself, the Tamron would be a perfect replacement for the XF16-80mmF4 R OIS WR as I only use it indoors for product photography and video work. In addition, having that extra stop of speed plus the amazing starbursts when stopped down, I could use the Tamron for my low-light night photography work, which is something I didn’t do with the XF16-80mmF4. The 17-70mm f/ was released last year for Sony E-mount, and Tamron finally decided to release it in X Mount this June. There is also the Tamron 18-300mm f/ Di III-A VC VXD available for X Mount for $699 USD. There is one more lens I’m looking forward to, the Tamron 11-20mm f/ Di III-A RXD, currently only available for Sony E-mount, but my guess is that it will eventually be released in Fujifilm X Mount. Having more third-party lens options for the X Mount is great for all of us and I’m thrilled Tamron has given us the 17-70mm f/ as a great mid-range zoom option for Fujifilm X Mount users. Thanks for reading and happy shooting! X-T4 + Tamron 17-70mm f/ @ 17mm. sec f/8 @ ISO 1600 on a tripod. About the Author Latest Posts

To me the mark of a great lens is a lens that you wind up using a lot. The AF-S 17-35mm is such a lens. I bought mine in 1999--19 years ago! I moved to it from the fine 20-35, looking to it for a wider angle and a closer close focus. I have never been disappointed with those features. The sharpness of my sample is comparable to primes.

Obiektyw Nikon Nikkor 17-35 mm f/ D AF-S IF-ED Rejestruj świat z doskonałą ostrością, korzystając z obiektywów Nikkor Od ponad 80 lat czołowi specjaliści w dziedzinie optyki dążą do optycznej perfekcji, tworząc obiektywy Nikkor. Każdy obiektyw marki Nikkor to symbol dbałości o najdrobniejsze szczegóły we wszystkich aspektach konstrukcji. Każdy z nich to dzieło sztuki optycznej. Ponad 80 lat doskonałości Od początków swojego istnienia marka Nikkor stanowi symbol niezmiennego zaangażowania w zapewnianie integralności, najwyższej jakości wykonania i niezawodności oferowanych obiektywów. Najnowsze rozwiązania techniczne Obiektywy Nikkor są konstruowane z wykorzystaniem najbardziej zaawansowanych technologii optycznych na świecie, z myślą o maksymalnym poszerzeniu możliwości obiektywu. Wybór profesjonalistów Profesjonaliści z branży fotograficznej na całym świecie wybierają obiektywy Nikkor ze względu na doskonałe parametry optyczne i wyjątkową niezawodność w terenie. Wysokiej klasy ultraszerokokątny obiektyw zoom z cichym silnikiem Silent Wave Motor. Cechy produktu: soczewki asferyczne i elementy ze szkła typu ED. minimalna odległość ustawiania ostrości 28 cm dla całego zakresu ogniskowych. tryb M/A do szybkiego przełączania między automatycznym i manualnym ustawianiem ostrości. dziewięciolistkowa przysłona, zapewniająca okrągły otwór. Dane techniczne: ogniskowa: 17-35 mm kąt widzenia: 104-62 przysłona: f/ skala odwzorowania: 1: budowa obiektywu (elementy/grupy): 13 / 10 minimalna odległość ustawiania ostrości : średnica filtru [mm]: 77 wymiary (średnica x długość od miejsca mocowania obiektywu) [mm]: x 106 waga : 745 Zestaw zawiera: obiektyw Nikon Nikkor 17-35 mm f/ D AF-S IF-ED osłona przeciwsłoneczna (HB-23) przednia pokrywka 77 mm tylna pokrywka (LF-1) skórzany futerał na obiektyw CL-76 Daftar Harga Nikkor 35mm Terbaru; November 2023. Harga Nikon AF-S 35mm f1.8 G ED Nikkor AFS 35mm f/1.8 G ED GARANSI RESMI. Rp8.899.000. Harga Nikon Z 35mm f1.8 S Nikkor Z 35 mm f/1.8 S Lens GARANSI RESMI. Rp13.300.900. Harga Lensa Manual Nikon Nikkor-O Auto 35mm f2 Super Mulus Normal. Rp2.500.000. Harga Nikon Lens AF-S NIKKOR 16-35mm f/4G ED VR Szanowni Państwo,mam na sprzedaż obiektyw Nikon Nikkor 17-35mm f/ AF-S. Jestem jego pierwszym właścicielem. Kupiony był w sklepie AB Foto kilka lat temu i od tego czasu służy mi dzielnie. Większość zdjęć właśnie nim robię. Stan techniczny i wizualny oceniam na dobry/bardzo dobry. Wszystko działa poprawnie. Autofokus działa bez zarzutu chociaż zdarza mu się "pisnąć" po dłuższym nieużywaniu ale potem nie wydaje żadnych dźwięków – dzieje się tak w zasadzie od nowości. Sprzedaje go ponieważ poszukuje czegoś bardziej skład licytowanego przedmiotu wchodzi:sam obiektyw Nikon Nikkor 17-35mm f/ AF-Sdekielek na przóddekielek na tyłfiltr UV 77 mm

I've been shooting with the Tamron 17-35mm f/2.8-4 lens on the Canon 5DS R, and this $600 lens delivers impressive performance across the board while being highly portable and well-built. Let's

The Nikon 17-55mm f2.8G ED-IF AF-S DX is the world's first constant f2.8 3.2x zoom lens developed exclusively for use with Nikon DX Format. The 3.2x zoom covers from a wide angle of 79 degrees to a narrow angle of 28 degrees 50 minutes (equivalent to 25.5mm to 85.5mm for 35mm format) and is ideal for architecture, landscape, groups shots and Test Notes. On a sub-frame (APS-C sized sensor) camera like the Canon EOS-20D we use as a test platform in our lab, the Tamron 17-35mm f/2.8-4 SP is a really excellent lens at a very affordable

The Nikon Z 17-28mm f/2.8. This is an in-depth review of the Nikon Z 17-28mm f/2.8, which was announced in September of 2022. Although the Nikon Z 17-28mm f/2.8 is a wide-aperture zoom with a constant maximum aperture of f/2.8, it is not part of Nikon’s high-end “S-line,” and the MSRP of $1200 is less than half the price of Nikon’s Z 14

G Type DX Nikkor is designed exclusively for use with Nikon Digital SLR models. Fully Compatible with D1, D1X, D1H, D2H and D100. Top Rated Gear: Nikon 17-55mm f/2.8G ED-IF AF-S DX NIKKOR Lens MFR: 2147. Color: Black, Filter Size: 77mm, Focus Type: Auto Focus, Lens Format: APS-C, Lens Mount: Nikon F, Lens Series: Nikon AF-S Series, Nikon DX ^{At launch 1999 Nikon wrote this regarding Nikon AF-S 17-35mm f/2,8 IF ED : "High-performance, ultra-wide-angle zoom lens, perfect for candid photography and news photojournalism in challenging lighting conditions. Extra-low Dispersion (ED) glass element reduces chromatic aberrations providing superior optical performance, even at maximum aperture.} ^{Nikon 17-35mm Features. Two types of aspherical lens (two molded-glass lenses and one hybrid) and two ED glass elements for higher optical performance. Constant maximum aperture of f/2.8 at all focal lengths. High-performance Nikon Super Integrated Coating offers superior colour reproduction, while minimising ghost and flare.}

Product description. An standard zoom for Nikon's APS-C DX format DSLRs, the 17-55mm F2.8 covers an equivalent focal length range of 25-82mm, and offers a constant maximum aperture of F2.8. Its ring-type SWM focus motor means that AF is fast and silent. Designed for use on Nikon's early professional DSLRs, the dust and moisture-sealed 17-55mm

The latter matches the new lens with an f/2.8 aperture but is much chunkier, 25 per cent longer and weighs in at 650g compared with 450g. And it has a very oversized filter thread of 112mm compared with the new lens’s rather regular 67mm. Nikon Nikkor Z 17-28mm f/2.8 (Black) at Amazon for $996.95.

When the NIKKOR 17-55 f/2.8 came out, a lot of photographers I knew were a bit surprised that the new DX lens was larger and heavier than the full-frame AF-S Zoom-NIKKOR 17-35mm f/2.8D IF-ED. However, in all fairness, it was smaller and lighter than the enormous AF-S Zoom-NIKKOR 24-70mm f/2.8D ED-IF lens that it was designed to replicate on DX

In addition to the Silent Wave Motor (SWM/AF-S) that provides fast, accurate and quiet autofocus, the Nikon 24-70mm f/2.8G also features Nano Crystal Coating technology, which helps reduce ghosting and flare. When it comes to weather sealing, the 24-70mm f/2.8G is designed to be well-protected against dust, moisture and tough weather conditions. This item: Nikon AF-S FX NIKKOR 24-70mm f/2.8E ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras $1,596.95 $ 1,596 . 95 Get it as soon as Thursday, Oct 26

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Nikon AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED on Nikon D7000 vs Sigma 17-50mm F2.8 EX DC OS HSM Nikon on Nikon D500 COMPARISON SELECTION (3 selected items max.) VIEW COMPARISON ADD MORE Verdict. Even though the Nikkor AF-S 17-35mm f/2.8D IF-ED is the oldest lens in Nikon's current line-up of professional wide angle zooms, it certainly doesn't look outdated. Far from it, actually. The sharpness in the image center is oustanding, stopped down the lens delivers very good resolution at the borders and corners, too.

Based on our field experience, the Nikon Z 35mm f/1.8 S shows very little ghosting and flare with the sun in the frame, as can be seen below: NIKON Z 7 + NIKKOR Z 35mm f/1.8 S @ 35mm, ISO 64, 1/20, f/13.0. Obviously, the angle of light and the position of the sun in the frame can certainly impact the way lenses handle ghosting and flare, but in

Ideal for photojournalism and travel photography, this Nikon NIKKOR 1960 zoom lens features a 17-35mm focal length range and a 2.1x zoom ratio to help you capture distant subjects. The ED (Extra-low Dispersion) glass helps ensure high-quality images. It is compatible with most Nikon DSLR cameras with an F-bayonet mount.

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